Limits of Solidarity

Hungarian Intelligentsia and the Middle East in the Cold War

Beyond the overall realm of socialist internationalism, there were several specific contexts in Cold War Hungary that not only shaped relations on the individual’s level towards independence struggles in the Third World, but also played a role in the still today incomplete liberation of these regions. Hungary's diplomatic-ideological relations in the Middle East reveals that friendship and solidarity is much more nuanced on a personal level than to be simply controlled through ideological means.

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Shifting Landscapes: On Remnants, Echoes, and Potentialities of the Histories of Non-Alignment

In Dialogue with "Two Meetings and a Funeral"

One of the most pertinent questions posited in Naeem Mohaiemen’s 2017 work Two Meetings and a Funeral is that of looking back to a world past: how to transmit the knowledge and memory of a world non-aligned? At a time when these questions are ever more pressing, Mohaiemen’s film is an important reminder of the complexities and layered nature of the past: when facing the divided world of the twentieth century, it is of utmost importance not to default the Cold War conditions to a dialectic between the East and the West, for there was a whole, third world just south of them, likewise entangled in these power relations.

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How You Do What You Do Is Sometimes the Most Important

Interview with Kadiatou Diallo and Dominique Malaquais from SPARCK

SPARCK (Space for Pan-African Research, Creation, and Knowledge), founded in 2008, is a program of experimental multi-disciplinary arts residencies, workshops, symposia, exhibitions, publications, and performances centered on innovative, ethically driven approaches to urban space. SPARCK is run by a two-woman, activist-artist-writer-scholar team: Kadiatou Diallo, a Cape […]

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Asia? Art? Archive?

Dóra Hegyi in Conversation with Michelle Wong

Asia Art Archive is an international archive and research center based in Hong Kong. Asia Art Archive also produces exhibitions and publications in collaboration. By making unknown art historical materials—connected to artists works and activities, as well as sources about art events—accessible online,  Asia Art […]

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The Unvaried Repertoire

Artwork in Focus – OFF-Biennale Budapest special edition

A tree philodendron and other exotic plants, an Alaskan Malamute relaxing on the garden table, the sound of a synthesizer, a flute and an airplane, a swimming pool, a kitchen, a living room, a bookshelf in the background, South-American fabrics and an embroidered Hungarian pillow […]

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Back to Basics. Responses to the Issue Inside the Mezosfera

An Introduction to Issue #3

Taking the thematic issue Inside the Mezosfera (published in September 2016) as a point of departure, we have invited contributors to reflect on the themes that the preceding issue’s essays bring forward—including unlearning, independence, “unacademia, resistance, or walking theory”—as well as a concept of the mezosfera we have proposed. An overarching theme that has emerged in the texts are the contradictions and complexities of the state of independence, underlining the near omnipresence of the fragile, conflictual, and in-flux positions art and cultural workers assume.

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Against State Phobia, For Dis/Engagement

Reading the inspiring essays of issue #2 made me further reflect on what has been a longstanding preoccupation of mine, namely, the relationship between the arts/cultural production and the state, or, more specifically, between the mezosfera and the state. It seems to me that the question of how to dis/engage the state (and how to theorize this dis/engagement) is a crucial one for the cultural producers inhabiting the mesosphere. I will immediately lay bare my own stand: disengagement can only be a tactical one, a move within a complex war of position, and no long-term option.

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Internal Contradictions of Contemporary Independence and the Cultural Logic of the Latest Capitalism

The Mezosfera journal in its second issue invited us to think the “future scenarios now.” At first glance such an invitation may resemble the contemporary dictum future is now that forefronts the brutal forces of speculative capitalism, the financial-info economy and social consumption in the latest capitalism. However, the urgent mobilization of future scenarios here obviously means something else. It means to think the future beyond the notions of projection and postponing typical of the modernist-utopianist teleology of history and time, but it also means escaping the vicious circle of self-sufficient present-ism and now-ism of the contemporary experience regime, obsessed with the consumption of the present moment, with a momentariness of now. Mezosfera dares to claim that such “double escape” is possible.

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Mixologists* of the Cultural Field

The second issue of Mezosfera takes as a starting point a poetically written introduction. The editors Nikolett Erőss and Eszter Szakács write with spatial awareness incorporated in their metaphors, helping the reader “see” the “space” they want us to read from—or in. The spaces that are generated in our mind's eye are defined by conditions that seem to apply to much of Europe today—an increasingly regulated context. They point out that “it is a lot harder to develop a truly radical form in practice than to be radical in writing about it.” The editors thus also highlight the conflict expressed between practice and theory (which came into full force in the context of art with the advent of Postmodernism in the 1970s and thereafter), and the authors of the issue respond with texts that discuss what I would like to call professional social practices.

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Prophesying about Hope in Times of Atmospheric Uncertainties

Actually it is in the stratosphere where we are mostly working. We are privileged enough to get a bird’s-eye view, one which most people don’t have access to, burdened as they are with watching their steps, but we are constantly threatened to either be hit by a plane or to fall down with a speed that leaves us hallucinating, in both cases losing our stability and composure. Sometimes we get close to the chilling mesosphere. We get a glimpse of blue lightning and become fascinated by the solitude of these upper realms. We wonder what it would be like to explore this stratum more, which seems to consist of beginnings and ends, where meteors burn and auroras emerge. It is a brief glimpse though, as scientific research has had its funding cut in our post-socialist countries after its token role in the Cold War was over; therefore, no one knows how to build the special costumes for this kind of exploration.

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