The Steamroller Advances Relentlessly

The National Salon at the Műcsarnok/Kunsthalle, Budapest

The “System of National Cooperation,” as the government of Viktor Orbán named itself in 2010, has polarized every segment of society, not excluding the sub-system of contemporary culture and art. As the most effective means to serve this end, the Hungarian Academy of Art (HAA) has not only divided the community of artists and cultural workers owing to the circumstances of its founding and continuous institutional existence, but each of its programs, open calls, or invitations also imply yet another provocative pressure to make a statement: are you with or against us?


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