Between Memory Culture and Cancel Culture: (Self-)Censorship and Political Intervention in Germany’s Cultural Landscape

The cultural scene in Germany has been on fire for six months. The still-smoldering aftermath of documenta 15 has been reignited in the face of the current turmoil in Israel and Palestine, leading to cancellations, boycotts, defunding and high-profile resignations across the country’s cultural institutions. The blurring lines between art institutions and state politics has called into question the future of Germany’s position as a central node in the art world and a supporter of culture across the globe.


A Form of Contemporary Resistance

An Interview with Kristine Khouri and Rasha Salti

Beirut-based writers and curators Kristine Khouri and Rasha Salti discuss some of the key aspects of their project that unravels the forgotten story and context of the large-scale International Art Exhibition for Palestine that took place in 1978 at the Beirut Arab University, at a time of civil war in Lebanon. Their work was transformed into exhibition iterations at MACBA (2015) in Barcelona, HKW in Berlin (2016), and recently at tranzit.hu in Budapest. Khouri and Salti touch upon their methodology; how political engagement and art played a crucial and intertwined role in the 1960s-70s, and how it is relevant for today; as well as in what ways geo-cultural constructions and transnationalism are meaningful today.


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