During the International Conference on Human Smuggling and Trafficking (ISS 2015) in München, over 800 people were imprisoned in pre-trial custody in Bavaria on charges of human smuggling. Meanwhile in Austria, every 5th person in pre-trial custody was accused of human smuggling. With these terrifying numbers and realities in mind, it is not only necessary to explicitly demand the abolishment of the paragraphs on human smuggling, but also to take a closer look at these trials and follow them. Katarzyna Winiecka critically revisits the ISS conference and analyzes the structural racism and class issues that pervade trials on human smuggling and criminalize solidarity with people on the move.
“Issue” is a thematic column, appearing four times a year, which is compiled each time by a guest editor. Our guest editors are invited to collaborate with authors from different countries, regions, and backgrounds to discuss issues that are relevant and urgent within the cultural field of Eastern Europe.
Vienna International Airport: a hub for people yearning to see distant places and globalized business relationships. But many people get onto a plane, because they are forced to—they are being deported. “I Ain't getting on No Plane! How to Stop a Deportation” shows ‘safety instructions’ for those who would like to prevent a deportation and take action showing solidarity: ‘Don't fasten your seatbelt,’ ‘Stand up and refuse to sit down,’ ‘Talk to the captain’ are some of the recommendations. (Protest Productions Collective)
The scenes shown in the film are a reconstruction of a forced “Level 4” deportation carried out by the Swiss authorities. By conducting numerous interviews with people who have been personally involved in the deportation procedure, and by analyzing the training material used by the Swiss police, it was possible to obtain a clear picture of the procedure. By publicizing this film, augenauf highlights the procedures that Switzerland is implementing behind closed doors.
What will 2016 bring: fences or open borders? On January 8, 2016, tranzit.hu organized a talk and a workshop with the title “I Have A Scream,” as part of the two-day finissage of Babi Badalov’s exhibition “Poetical Activism.” Curator and moderator Katalin Erdődi invited human rights experts, activists, and humanitarian NGOs to participate in a discussion about what the new year will bring in Hungarian migration and asylum politics. This exchange not only served as a starting point for the thematic issue “A Weird Geography,” but also marked a period in which the borders were still partially open (although only for Syrian, Iraqi, and Afghani citizens) and measures to be taken by European policy-makers were still open to debate.