Modernization attempts at the Venice Biennale—a general overview of the transitional period (1968‒1972/76) Be it in the Hungarian or the international context, there have always been heated arguments both for and against the Venice Biennale, and the particular outcome of these debates have always been […]
“Issue” is a thematic column, appearing four times a year, which is compiled each time by a guest editor. Our guest editors are invited to collaborate with authors from different countries, regions, and backgrounds to discuss issues that are relevant and urgent within the cultural field of Eastern Europe.