When visiting documenta fifteen in early August 2022, with an awareness of the vehement criticism directed at the event, it was the project of a lumbung member, the *foundationClass*collective that seemed to echo most clearly the structural contradictions, which also surrounded the mega-exhibition. Summarizing the […]
An Introduction to Issue #10 Mezosfera’s thematic issue, Write or Be Written Off includes contributions on publishing in the fields of art and culture, initiatives and publications whose mission was or is to challenge the establishment (be it professional or political), bring about (social) change, […]
Asia Art Archive is an international archive and research center based in Hong Kong. Asia Art Archive also produces exhibitions and publications in collaboration. By making unknown art historical materials—connected to artists works and activities, as well as sources about art events—accessible online, Asia Art […]
It was easy to be illegal twenty-five years ago. Maybe also because the whole world was focusing on perestroika, and how the Soviet Union had collapsed. At the same time, capitalism had just emerged in the east. Millions began to drink Coca Cola and Pepsi Cola and smoke Marlboro in the streets for the first time without fear. Living sans papiers was not a problem if you did not commit any crimes. I have been an immigrant in several countries.—In October 2015, Dóra Hegyi interviewed Babi Badalov on the occasion of his exhibition Poetical Activism at Mayakovsy 102, tranzit.hu's open office in Budapest.