It was easy to be illegal twenty-five years ago. Maybe also because the whole world was focusing on perestroika, and how the Soviet Union had collapsed. At the same time, capitalism had just emerged in the east. Millions began to drink Coca Cola and Pepsi Cola and smoke Marlboro in the streets for the first time without fear. Living sans papiers was not a problem if you did not commit any crimes. I have been an immigrant in several countries.—In October 2015, Dóra Hegyi interviewed Babi Badalov on the occasion of his exhibition Poetical Activism at Mayakovsy 102, tranzit.hu's open office in Budapest.
“Magazine” covers events and initiations of contemporary culture in Eastern Europe and beyond. As a start, this column examines projects that have recently taken place in Hungary and that also outline some of the major issues the cultural scene is facing here today.
Nataša Ilić and Sabina Sabolović, two members of the Croatian curatorial group WHW (What, How, and for Whom), and Nikola Vukobratović, the representative of Alerta, Centre for Monitoring of Right-Wing Extremism and Anti-Democratic Tendencies, Zagreb, held a seminar entitled "How Much Fascism?" in May 2014 in the framework of tranzit.hu’s Free School of Art Theory and Practice. The seminar and the three-part exhibition and event series "Art Under a Dangerous Star" were part of the international collaboration "Beginning As Well As We Can" (How Do We Talk About Fascism?), initiated by WHW. The project explores the Europe-wide spread of the extreme right, contemporary forms of fascism, and the possible ways of resistance and intervention. During the seminar G. M. Tamás, András Rényi, Szabolcs KissPál (Free Artists), Ádám Schönberger (Marom), and Márton Szarvas (Helyzet Group and Gólya) held presentations.