African literature has gained ground in the 1950s which has served as a revolutionary means to decolonize European writing about Africa and Africans. Western literary works about Africa were often stereotyped projections that portrayed the African continent as a place of darkness, where humans lived […]
In 2014 Andrea went to Budapest Pride again. Dressed in a priest’s cassock, he blew bubbles and blessed the crowd from atop the float named as the “International Gay Lobby.” A piece of cardboard dangled in front of him—outlined with the shape of Greater Hungary, patterned with the red-and-white bars of the House of Árpád, and in the center of which a large cock was splashed that easily could be decoded as a biker. The result: two months of rabid harassment (online, at work, at home, etc.) and a civil lawsuit against him that eventually was dismissed.
It was easy to be illegal twenty-five years ago. Maybe also because the whole world was focusing on perestroika, and how the Soviet Union had collapsed. At the same time, capitalism had just emerged in the east. Millions began to drink Coca Cola and Pepsi Cola and smoke Marlboro in the streets for the first time without fear. Living sans papiers was not a problem if you did not commit any crimes. I have been an immigrant in several countries.—In October 2015, Dóra Hegyi interviewed Babi Badalov on the occasion of his exhibition Poetical Activism at Mayakovsy 102, tranzit.hu's open office in Budapest.
Nataša Ilić and Sabina Sabolović, two members of the Croatian curatorial group WHW (What, How, and for Whom), and Nikola Vukobratović, the representative of Alerta, Centre for Monitoring of Right-Wing Extremism and Anti-Democratic Tendencies, Zagreb, held a seminar entitled "How Much Fascism?" in May 2014 in the framework of tranzit.hu’s Free School of Art Theory and Practice. The seminar and the three-part exhibition and event series "Art Under a Dangerous Star" were part of the international collaboration "Beginning As Well As We Can" (How Do We Talk About Fascism?), initiated by WHW. The project explores the Europe-wide spread of the extreme right, contemporary forms of fascism, and the possible ways of resistance and intervention. During the seminar G. M. Tamás, András Rényi, Szabolcs KissPál (Free Artists), Ádám Schönberger (Marom), and Márton Szarvas (Helyzet Group and Gólya) held presentations.