Full moon, red. Cracks in the soil, the size of crevasses. Patching the land, maintenance that takes much more struggle than building. Plants that made the effort of surviving sequences of frost, that generated new leaves, new sprouts, a new generation of themselves, better adapted […]

In the twenty-first century, in the Capitaloceneera, Lovecraftian weird epistemology is witnessing a renaissance, not only in popular culture, but also in philosophy and aesthetics.[1] The ancient, alien and seemingly irrational gods of Howard Philips Lovecraft’s world appear in streaming (TV)series such as True Detective, […]

From Dreams to Hallucinations, from Research to Corporations Since the advent of the new AI Spring, the cultural sphere has undergone radical transformations, prompting a reevaluation of the potential disruptions neural networks (a term we prefer over the more widely used, ambiguously defined, and frequently […]

Instead of an introduction: when the world goes mad, what can art do? How can we analyze artistic practices of performative and institutional critique in contemporary Georgia through the theoretical framework of revolt? This question has become increasingly urgent, as reflections on art are shaped […]

One of the founders of the LEF group, active in Odessa and Moscow since 1922, Boris Arvatov undertook to define proletarian art. In his 1922 text Proletariat and Left-Wing Art, he wrote: “Proletarian art, which has not even been heard of yet, is possible only […]

Introduction of the Editors The world we once knew, structured by modern institutions and ideals, has changed dramatically and is now upside down: we now inhabit a landscape of profound uncertainty. A long process of modern history and the post-World War II order have been […]